573 Royalty-Free Audio Tracks for "One Minute"

Do you want more samples? check this out: https://traktrain. Com/johnnieholiday?t=1027543&kit. This track was created using fl studio 20key: cbpm: 120 (duration 3 sec).

I put my recorder in a grandfather clock and waited the half-hour chime. Sorry, i don't have more sound recordings about hours. Recorded with tascam dr-100mkii.

Record vinyl ripped and reversed and stretched and filterd and eqed into whatever noise this is for you!.

These are some synths i tuned in reason. I've included them as an octave long run of notes so you can use them in your own productions. I hope you find them useful :].

A few kicks and snares synthesized a long time ago on a novation xiosynth 25, could be useful for sound-design and sample layering, they have an analog drum machine feel to it.

This is an electric guitar loop i constructed in logic 9 using musiclab's realstrat and realeight. Nice plug-ins. Check out prominy if you are looking for even more realistic virtual instrument guitars. 106 bpm.

This is a pack of 92 acoustic percussion samples, made from various instruments sitting unused at my house, djembes, darabouka, maracas, composite pipe, pvc, cardboard and wooden scraps, they are all simply recorded with a cheap sm57 clone from t. Bone using ardour, there is no special editing made except for som noise removal in audacity. I needed a repository of percussive short decay organic sounds for my own projects so i made this pack, feel free to use without mentioning me, although i'm always happy when people send me links of their creations.

Recorded and processed at 24bit 48khz using a rode nt1-a condenser microphone. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

High pitch synth stab with resonant filter. [root: g][format: wav][license: cc 0].

Recording of a plastic grid which resembles plastic sounding gears. Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Saying round 1, lowered my transient.

Me saying "you got ii" with a deep voice.

I layered three different snare drum takes to achieve this one. All three of those takes are from a ludwig black beauty. I did a close, stereo overhead, and stereo room mic configuration. Originally recorded/used for an 80s cover song i've been working on. Sounded nice in the mix so i thought i'd throw it on here. -yellowtree.

Cymbal cymbals drums one-shot bowed percussion metal drum sample sabian splash ride china crash meinl paiste bell zildjian special hit sound groove beat.

This little distorted bass one-shot was made using a combination of sine-compression and filtering techniques in conjunction with reverse reverb/ bit-crushing. I also added a pitch fall near the end. Please feel free to use this however you like!. If you'd like to credit me somewhere that'd be great, but it's not a requirement. Comment down below where you used it as i'd love to hear!. Have fun!.

This is a 2018 maserati granturismo idling before switching into sport mode and launching. The gt has a v8 ferrari engine.

Some raw one-shots from my doepfer a-100 modular synthesizer recorded and edited using ni maschine. In my ears they sound way better with a bit of compression, but i thought the unprocessed files would be more useful. Naming is super vague. Recorded back in may 2014. It's always nice to hear what projects you use these sounds for. Let me know.

This a free, 10 minute demo of extremely high quality silence. It is stereo and has a high (96000) sample rate, and is probably the best quality silence sample around. The poor-quality mp3 hosted on freesound is simply not enough. Download it and listen to the flac to hear it as it was intended. . . Ssshhhh. . .

Female voice pickup one-liners. Free to use.

Recorded at silverstone circuit from becketts grandstand for the fia formula 3 (race 1) for the 2022 season. Recording captures the entire lap, from the exhaust sound from them coming through the loop, aintree and the wellington straight with them coming past the microphone at maggots, becketts and chapel corners. No copyright, but please do share any projects where you use this sound!.

I made this loop in logic 9 testing a new virtual guitar instrument. Bpm: 95. Key: e minor.

This is a full acoustic drumkit sampled at multiple velocities with drum sticks and brushes, it was recorded in a small jazz bar at a local music school, i recorded this a long time ago with a zoom h1 portable recorder. It would still need some sorting and tweaking to build a soundfont or hydrogen drumkit which i want to do in the future but it will probably not be anytime soon.

Effect sound made out with propellerhead edition 5. Free use, make me know if you use it.

Various typings on apple macbook pro 2018 computer. Close up, multiple keystrokes, single clicks in different speeds. Recorded with sennheiser mke600 mic on a zoom h5 recorder.

In front of my desk in my room is a wood paneled wall with a cubbie. It's about a foot wide, 10 inches from top to bottom and maybe 7 inches deep. I'm just guessing. Around this cubbie is a border of wood. In the bottom right corner under the border i have jammed one end of an elastic string that used to have glitter on it. It's from a christmas box of chocolates my uncle sent me last year. I stand in front of this cubbie whose bottom is at chin height, (i'm only 5ft1in) so my arms are above my head as i pull this string across the cubbie up and to the left to the border on the top which acts as my only fret. The string is a few inches longer than the cubbie is wide, but when i pull it it gets longer so my hand is 3/4 along it's length as i pull back and forth across the border to tighten and loosen the string. No matter how hard i pull it never pops loose from it's mooring. This time the mic is sitting in the cubby so i get a much clearer and louder sound. When i stretch the string across the top it has a fairly long sustain, so i can play 4 notes on a single pluck.

In front of my desk in my room is a wood paneled wall with a cubbie. It's about a foot wide, 10 inches from top to bottom and maybe 7 inches deep. I'm just guessing. Around this cubbie is a border of wood. In the bottom right corner under the border i have jammed one end of an elastic string that used to have glitter on it. It's from a christmas box of chocolates my uncle sent me last year. I stand in front of this cubbie whose bottom is at chin height, (i'm only 5ft1in) so my arms are above my head as i pull this string across the cubbie to the border on the left which acts as my only fret. The string is a few inches longer than the cubbie is wide, but when i pull it it gets longer so my hand is 3/4 along it's length as i pull back and forth across the border to tighten and loosen the string. No matter how hard i pull it never pops loose from it's mooring. The recording starts with me standing up from my chair. In the first part until 01:54 i am playing the string at maybe 30° from horizontal. It has a buzzy quality that reminds me of an african folk instrument i can't remember the name of. From 01:33 to 01:54 i'm trying to imitate a korean folk vibrato kind of thing. In the second part until 02:29 i am playing 45 to 60° from horizontal and it sounds like a full-bodied string bass with no buzz. In the last part beginning at 02:34 i am playing about 75° from horizontal across the top border of the cubbie on the left so it sounds buzzy and african again, and i'm just going crazy goofing around with a crazy bluesy rock sort of rhythm. There didn't seem to be any homemade 1-stringed wall-cubbie basses on this site so here is mine, have fun. I don't play it if mom is home because the living room is on the other side of the wall and she can't hear tv. Also my neighbor can probably hear it in the next apartment lol. Recorded with microsoft lifecam 3000.

Looking for inspiration? my goal is provide you with all resources you need to make music you love. Right now i'm giving away only samples. Follow me on instagram, i'm going to share more things like tutorials, presets etc soon.

A tasty bean fart sound effect for all your gross needs and what not. Listener discretion is advised if you dont think its funny im sure your kid will.

We where located in the news media viewing area called nasa causeway. This as close as anyone can get to the launch. This was the maiden voyage of the orion spacecraft, and one of the very few delta iv heavy launches. In the beginning of recording you hear nasa announcer giving countdown into loud speakers, when you reach around the 1min 50 sec mark the true booster engine sound overtakes the pa system. We are very grateful for the opportunity to share this, most powerful man made machine with 2. 1million pounds of thrust to get millions of pounds into space.

Favorite airs from The Mikado (music by Gilbert and Sullivan, 1885) was a 1914 production by Edison Records, performed by the Edison Light Opera Company. This was one of several phonograph cylinders put out by Edison Records (and, no doubt, others) that attempted to encapsulate an entire opera or musical in about four minutes generally, they consisted of a bit of the opening chorus, a verse or two from one or two of the songs, then a bit of the Act II finale. This one is not atypical. The cast is not given, but in the 1913 recording of Pinafore, also by the Edison Light Opera Company, the following singers were featured: Elizabeth Spencer, Mary Jordan, Harry Anthony, Walter Van Brunt, James F. Harrison, and William F. Hooley The only copy of the recording I had to work from was not particularly high quality, and, though I think I managed to clean it up fairly well, I had to leave some of the background noise in, or the singers start to sound unnatural since cleanup of static does, by necessity, remove some information as well. By removing clicks and pops, then blending a noise-reduced track with the one just cleaned of the clicks and pops, good results can be achieved. Notes This was Edison Blue Amberol #2179, which was a reissue of Edison 4-minute Amberol #465. Songs All songs are heavily abridged: Overture (first few seconds) A wand'ring minstrel I Three little maids from school are we Tit-willow (On a tree by a river) Act II Finale: "For he's gone and married Yum-Yum" and "The threatened cloud has passed away" The full text of The Mikado is available on English Wikisource: s:The Mikado.

Favorite airs from The Mikado (music by Gilbert and Sullivan, 1885) was a 1914 production by Edison Records, performed by the Edison Light Opera Company. This was one of several phonograph cylinders put out by Edison Records (and, no doubt, others) that attempted to encapsulate an entire opera or musical in about four minutes generally, they consisted of a bit of the opening chorus, a verse or two from one or two of the songs, then a bit of the Act II finale. This one is not atypical. The cast is not given, but in the 1913 recording of Pinafore, also by the Edison Light Opera Company, the following singers were featured: Elizabeth Spencer, Mary Jordan, Harry Anthony, Walter Van Brunt, James F. Harrison, and William F. Hooley The only copy of the recording I had to work from was not particularly high quality, and, though I think I managed to clean it up fairly well, I had to leave some of the background noise in, or the singers start to sound unnatural since cleanup of static does, by necessity, remove some information as well. By removing clicks and pops, then blending a noise-reduced track with the one just cleaned of the clicks and pops, good results can be achieved. Notes This was Edison Blue Amberol #2179, which was a reissue of Edison 4-minute Amberol #465. Songs All songs are heavily abridged: Overture (first few seconds) A wand'ring minstrel I Three little maids from school are we Tit-willow (On a tree by a river) Act II Finale: "For he's gone and married Yum-Yum" and "The threatened cloud has passed away" The full text of The Mikado is available on English Wikisource: s:The Mikado.

One minute soundwalk at school.

One minute of rain. Recorded with iphone 8.

A one-minute soundwalk through the getty villa museum in malibu, california. I walked from the atrium, through the garden, into the public picnic area.

Last one with this sample. Promise!.

One minute of ambience from one of the best neighbourhoods in bucharest.

A one minute soundwalk recorded in suburban los angeles. The distinct sounds of construction can be heard in the background, as a plane passes overhead ang drown out the sound of a helicopter.

One minute of operating room ambiance, routine case under general anesthesia.

Five-minute meditation timer. There is a tone at the beginning, the halfway point, and at the end. Mono, mp3.

One minute of the ambience in the supermarket.

This is a one minute recording of the calm noises of the beach surroundings.

One minute of izotope vinyl noise. Volume normalized (peak -0. 4db).

One minute electronic music. Expressing time goes by created by sif neo. Enjoy <3.

One minute of my 3 minute sound walk. It is my experience in downtown manhattan beach during the evening. Repetitive sounding walk, but very soothing experience.

A short one-minute, narrated, soundwalk of the noises in and around my house. It takes place in california on a windy day. It starts off inside of my house and about halfway through i walk outside to the sounds of wind and birds.

This is a one-minute soundwalk on the turf field of loyola high school.

One minute of ambient crowd chatter - students awaiting the start of a lecture.

One minute of tampura at 136,10hz, the 32th octave of the solar tropic year.

One minute of monochord at 136,10hz, the 32th octave of the solar tropic year.

A one minute excerpt from a walk around a high school campus.